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среда, 30 апреля 2025 г.

Global Asset Management Report 2025 - From Recovery to Reinvention

 


Key Takeaways

To continue on the path to growth, asset managers must adapt to the new market forces that are reshaping the industry.

The global asset management industry reached a record $128 trillion in assets under management (AuM) in 2024, rising 12% from the previous year and marking a strong rebound from its decline in 2022.

Market performance drove 70% of revenue growth in 2024, underscoring the industry’s vulnerability to external conditions during a time of serious uncertainty.

This is the first chapter of a four-part annual report on the global asset management industry and the trends shaping its future. The full 2025 Global Asset Management Report: From Recovery to Reinvention is available as a PDF download.  

The global asset management industry reached a record $128 trillion in assets under management (AuM) in 2024, up 12% from the previous year. The gains marked a strong continuing rebound from the decline that occurred in 2022. Nevertheless, that growth can’t mask the deeper structural challenges that the industry faces, including margin pressures, shifting investor preferences, and intensifying competition.

Notably, market performance drove 70% of revenue growth in 2024, underscoring the industry’s vulnerability to external conditions—especially in a period marked by extreme market volatility, rapid shifts in sentiment, and heightened economic uncertainty arising in part from the disruptive effects of the US tariffs. To remain competitive and to navigate an increasingly uncertain future, firms must move beyond the recovery that has characterized the past two years and focus on reinventing themselves for the future.

Three Forces Reshaping the Industry

Three forces in particular are reshaping the industry: shifts in product offerings and approaches to distribution; industry-wide consolidation; and the need for radically leaner cost structures. In this report, we examine the transformation strategies that asset managers will need to adopt in order to meet these forces head-on and win in the next five to ten years.

Product offerings and distribution approaches are shifting. Increasingly, investors are demanding low-cost, efficient products such as exchange-traded funds (ETFs). Although ETFs command lower fees than legacy mutual funds do, they offer the potential for closer long-term customer ties. This is especially important at a time when the economics of the industry are tilting more and more toward the entity that owns the investor relationship—the distributor. In particular, asset managers might consider developing products in the relatively fragmented and nascent active ETF space.

Managers also have an opportunity to develop private market funds for retail investors, who are eager to tap into the higher risk-return profile that these asset classes offer. When it comes to matching private market assets with the liquidity and regulatory requirements of the retail market, firms must deal with some obstacles. But as a result, those that develop viable products and scalable distribution networks stand to benefit from a largely untapped market.

Industry-wide consolidation activity is increasing. Because no one-size-fits-all approach is available, many asset managers will need to consider enhancing their scale and scope through strategic partnerships or M&A to stay relevant. The consolidation we are seeing tends to revolve around strategies for broadening product offerings, expanding global presence, building technology capabilities, securing more permanent capital, and increasing proximity to clients.

Regardless of deal rationale, the key to success will lie in the execution. For example, as private and public managers converge to leverage their respective expertise in product formation and distribution, they will need thoughtful strategies for integrating their legacy differences in such areas as culture, compensation structures, and value creation.

Cost structures need to be radically leaner. Amidst ongoing pricing pressures and a shifting market landscape, the issue of costs has magnified. In response, many firms are increasingly adopting one of three strategic models to shape their cost structures—focusing their spending on investment management and trade execution; sales, marketing, and operations; or IT.

Although these models differ in focus, all of them can benefit further from a zero-based approach to cost management. This approach entails reexamining all costs and may lead to such changes as outsourcing noncore functions, automating processes with generative AI (GenAI), and avoiding dual-run costs, especially in headcount.

The Year in Review

Global asset management AuM grew by 12% in 2024, reaching a record $128 trillion, with all regions contributing to the increase. (See Exhibit 1.)

Strong market performance drove this growth. Major indexes such as the S&P 500 (up 23% for the year) and NASDAQ (up 29%) rose significantly. Global revenues for the industry rose by $58 billion, and more than 70% ($42 billion) of that gain came from market performance compared to only 30% ($16 billion) from net inflows.

Half of the revenue increase, however, was offset by a shift to lower-priced products and by fee compression. (See Exhibit 2.) Although the industry can celebrate another year of growth, asset managers must be aware of the underlying threats to their legacy products and distribution channels, as well as to the operational models behind them.


Last year, investors continued a long-term trend of shifting from actively managed funds to passively managed products. Active AuM declined from 65% in 2023 to 61% in 2024 for mutual funds and ETFs. Net new flows reflected this trend, with $0.1 trillion in outflows from active funds, excluding money market funds, versus $1.6 trillion in inflows to passive funds. (See Exhibit 3.)


Although mutual fund and ETF ownership skews toward retail clients, institutional investors are shifting to passive products, too. In this market, over the past five years, passive AuM grew from 17% to 20% of assets while active AuM shrank from 44% to 38% of assets.

Breaking down the shift to passive across mutual funds and ETFs by geography, however, reveals a strong regional tilt, in which North America’s $337 billion in outflows from active funds was enough to drag global net flows into negative territory. All other regions saw positive net flows into active funds, driven largely by fixed-income funds and actively managed ETFs. Fixed-income funds attracted $700 billion in net new flows globally, while active ETFs drew positive net new flows of $325 billion, nearly $300 billion of which came from North America.

Revenue growth outpaced cost growth in 2024, resulting in a rise in profits of about 22%. (See Exhibit 4.) However, fees on 2024 net inflows were, on average, about 40 basis points less than fees on 2023 existing AuM across mutual funds and ETFs. The changing fee structure is a clear indication of revenue pressure that asset managers will need to address with product innovation and a search for scale.



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воскресенье, 25 апреля 2021 г.

Mapped: The Top 10 Billionaire Cities

 


воскресенье, 14 марта 2021 г.

What Is an NFT? Inside The Next Billion-Dollar Crypto Sensation

 

Image credit: imaginima | Getty Images

James Murphy
ENTREPRENEUR LEADERSHIP NETWORK CONTRIBUTOR

CEO of Future Fallout

NFTs are taking the internet by storm and marked as one of the best use case for blockchain technology.

If you haven’t heard of them now, it’s only a matter of time. Whether its digital sports cards or digital artworks, NFTs have been taking the internet by storm and have simply doubled their total volume in USD in the month of February alone. So what are these digital assets selling for fortunes, from niche marketplaces to world-famous auction house Christie’s?

What does NFT mean?

An NFT is a non-fungible token existing on a blockchain. A token is the sign of ownership of an asset. For example, a concert ticket is a sign of ownership of one space for a concert. A Bitcoin is the title of ownership to the underlying value of the Bitcoin. A token is a digital asset, stored on the blockchain. As the blockchain is transparent, it is easy for all to see who is the owner of what token.

Fungible refers to an asset that is easily exchangeable. A dollar is very fungible, you can give me a dollar in exchange for some good and I can then re-exchange it for another service. A neighbor could borrow a pound of sugar to bake a cake and buy me another one in a few days when he goes to the supermarket. It doesn’t matter that the sugar is different, it is easily replaceable and exchangeable.

A non-fungible token is a unique token that isn’t easily exchangeable with another. The foremost use case is artworks. Artworks have been selling on the blockchain for millions of dollars (or in this case a blockchain native currency, Ethereum). Examples abound but the most famous NFT artist so far is Beeple who first sold 21 pieces of artwork on digital marketplace Nifty Gateway for a total of $3.5 million. He then went on to sell his masterpiece “EVERYDAYS: THE FIRST 5000 DAYS” at Christie’s for $6.5 million. Beeple is Mike Winkelmann, previously a graphic designer from Charleston South Carolina.

Artworks are not the only things exchanged in these marketplaces. More and more volume in the NFT space is coming from digital sports trading cards. In fact, fans of basketball have already spent $230 million trading NBA Top Shot cards. These cards represent certain classic moments for the sport and there is only a limited amount of each. The ownership and the scarcity of these cards are insured by the Ethereum blockchain. Recently, a rare Lebron James highlight sold to the highest bidder for a crisp $200,000.

Why would anyone pay for this?

The crazy thing about these purchases is that anyone can download Beeple’s artwork or Lebron’s highlight. It is as simple as clicking ‘save image’ on your laptop. What buyers are after is not the artwork in itself but the proof of ownership for that artwork. The buyers are akin to art collectors putting their most prized possessions on display in museums. NFTs represent a way for art collectors to encourage financially their favorite artists online.

As humans evolve more and more, especially in lockdown, it seems only natural that we decide to buy art in the digital world as well. One step further, certain platforms such as Decentraland allow users to buy land or real estate in a digital world.

While this has been no more than a niche sector of the internet, in the last six months it has truly exploded onto mainstream media and seems to be here to stay. While the first experiments with NFTs date back to 2013-2014, the market seems to arrive to a certain maturity and mainstream appeal in 2021.

Several issues remain with the NFT market, however. As the main currency of exchange and the network on which marketplaces are built is Ethereum, transaction fees are very high and it is commonplace to have to pay $50 to transfer the property title of an NFT from its creator to the buyer. On platforms such as Rarible or OpenSea, the current market leaders, not only does each transaction (creation of the NFT, bids, transfer of ownership) costs users large sums, they also amount to the terrible carbon footprint of the Ethereum network.

There is hope, however, as Ethereum is planning to change its architecture by the beginning of 2022 to be much more eco-friendly. In the meantime, certain marketplaces have found technical solutions to these limitations. Drops.is, an upcoming NFT project that lets you do a lot more with NFTs than just buy and sell. It allows users to create NFTs, bid, stake, take loans by using your NFT as collateral. It’s also using a Layer 2 solution by building on Polygon network, reducing both the costs of these transactions to a few cents (which are paid for by the platform itself) and the important environmental costs.

The most exciting part of the NFT revolution is that artists specialized in digital arts will finally be compensated for their work. Until now, it was very hard for artists to monetize their creations because of the very nature of digital art and its infinite reproducibility. Now, true fans of the artists will be able to directly support them with any middle-men or platform.

Mainstream artists seem to have caught on to this trend with artists such as Grammy-winning Kings of Leon releasing their latest album as an NFT. It’s also the case of GrimesLindsay Lohan or even Soulja Boy who all released NFTs representing music, digital artworks or even the ownership of a limited-edition vinyl.

But it is not only artists who can make money from NFTs, the market for digital sports card for example has already exploded. Soccer trading card platform Sorare has seen the unique 2020-2021 Kylian Mbappé card sell for $65,000. Cashing in on sports fans stuck at home has turned out to be extremely profitable for these platforms, so much so that it has brought the attention of gaming giant Ubisoft who has now partnered up with Sorare for future projects.

NFTs are the hottest item in the recent crypto craze and as mainstream artists start to discover them they will only become more popular and coming soon to a digital market near you.

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воскресенье, 31 января 2021 г.

Ranked: The World’s Richest Families in 2020